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| It is quite possible that Jill Johnston is one of the most important, radical, and innovative writers of her time. |
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Gregory Battcock
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| The reputation of this rare primary source document [Marmalade Me, reissued] of the 1960s performance scene in New York has unquestionably grown since its original publication. It stands as a portrait of a pivotal decade in radical American art criticism and art. |
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Janice L. Ross
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| Johnston comes on like a flood, vivacious, mile-a-minute, with an uncontrollable eloquence. |
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New York Review of Books |
| Someday, whenever the tangled histories of the interdisciplinary sixties art scene, of new journalism and experimental female/feminist autobiographical writing, or of lesbians and the avant-garde, get written, Jill Johnstons life and work will receive key billing. . . . Johnston was an originator. Her constant experimentation with language emerged from a genuine effort to record and communicate new and disruptive art forms, social realities, and states of consciousness. |
| Liz Kotz |
| "At Sea On Land" is a wild ride, at times comic, erudite, seductive, hard-headed, intensely political, and always written into the page. In its wrap-around shot at combining the lands of her birth and upbringing, respectively the UK and the USA, this is a Johnston classic. |
| Victor Bockris |
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Now published
Jill Johnston is a deeply invested layman in an oddly arcane world. Everybody knows about tower bells, and almost nobody knows about them. Out of auto/biography, history, engineering, and art, she fashions a book without category. She spans an ocean, a century, and a generation in her search for something--someone--large and elusive, public and personal. It's a kind of Suite for Carillon, both intimate and grand. |
Joseph Clair Davis, Ph.D. Carillonneur of the Riverside Church, 19891998 | |
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| England's Child |
| $27.95 |
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Appendix 2 of EC is
a list of carillons by G&J/
Cyril F. Johnston.
See also:
Gillett & Johnston Index
| At Sea On Land |
| $12 |
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